Was today's Washington Post ghostwritten by the RNC press shop? Based on all the unsupported -- and unsupportable -- suggestions of excessive Democratic partisanship, it sure looks like it.
Let's start with Shailagh Murray's portrayal of Democrats of being newcomers to bipartisanship:
Never mind that Democrats didn't pass a health care reform package that created a single payer system, or even one that included a public option, but rather passed a package that reflected longtime Republican health care priorities, like an individual mandate. To the Washington Post, the fact that Republicans voted against a plan chock-full of ideas they had long advocated means the Democrats weren't behaving in a bipartisan manner. And never mind that the Democrats passed a stimulus that was significantly smaller, and more tax-cut laden, than many economists, from Nobel Prize-winner Paul Krugman to Christina Romer, thought was necessary -- and did so in an effort to win Republican support. To the Washington Post, the fact that Republicans almost unanimously opposed it despite those concessions means the Democrats weren't behaving in a bipartisan manner.
Murray's Post article asserts:
Many voters thought Democrats had overreached and were governing by fiat, and they responded in November by giving Republicans control of the House and narrowing the Democratic hold on the Senate.
Really? I've never seen polling demonstrating that widespread anger at Democrats for "governing by fiat" was key to the GOP's electoral gains last November, and I strongly suspect the Washington Post hasn't, either. Meanwhile, there are plenty of indications that a poor economy had far more to do with Democratic losses than a perception of "governing by fiats" -- but that doesn't fit into the Post's neat little storyline about Democratic overreach. Indeed, given that the 2009 stimulus package was smaller than many economists thought it should be, attributing last fall's election outcomes largely to the state of the economy would directly undermine the Post's storyline -- and might even suggest that Democrats suffered politically because they were too solicitous of Republicans. But instead of changing their narrative to fit reality, the Post makes up an alternate universe in which fiats weighed more heavily on the minds of voters than did jobs.
Next, let's take a look at Chris Cillizza's "Ten members to watch in the 112th Congress":
North Dakota Sen. Kent Conrad (D): Conrad watched as Sen. Byron Dorgan (D) retired and former Rep. Earl Pomeroy (D) were defeated in the last cycle -- and now must decide whether or not to run again in his own right in 2012. If Conrad, the chairman of the Senate Budget Committee, does decide to retire, it could actually help the chances of a bipartisan budget deal as he would be less concerned about the political fallout from any compromise.
Again, the idea that recent lack of agreement by the two parties on fiscal measures is a result of excessive partisanship by Kent Conrad is absurd. On the biggest legislative items of the last Congress -- things like health care and the stimulus, the very things Republicans and journalists invoke as evidence of Democratic partisanship -- Democrats again and again made concessions in an attempt to win Republican support, and Republicans refused that support anyway. It was the GOP's entire legislative and political strategy. Don't take my word for it: Mitch McConnell has explicitly said it was the Republicans' approach. He has bragged about it. Here's McConnell:
"We worked very hard to keep our fingerprints off of these proposals," McConnell says. "Because we thought—correctly, I think—that the only way the American people would know that a great debate was going on was if the measures were not bipartisan. When you hang the 'bipartisan' tag on something, the perception is that differences have been worked out, and there's a broad agreement that that's the way forward."
In light of the fact that Republicans like Mitch McConnell have explicitly said that they pursued a strategy of opposing everything the Democrats did, specifically so nothing could be called "bipartisan," it's simply dishonest to blame Democrats for insufficient bipartisanship.
From the July 4 edition of CNN's State of the Union with Candy Crowley:
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The Washington Post's Chris Cillizza credulously passes along some GOP health care spin, never thinking to question whether maybe -- just maybe -- there's some artifice involved:
Republican lawyers warn Democrats of "deem and pass" consequences
Less than 24 hours after House Democratic leaders floated the idea of using a parliamentary procedure to avoid a recorded vote on the Senate health care bill, a group of Republican lawyers -- including the legal counsels for the Republican National Committee, the National Republican Senatorial Committee and the National Republican Congressional Committee as well as high profile campaign attorney like Ben Ginsberg of Patton Boggs and Cleta Mitchell of Foley & Lardner -- penned an open letter making clear that such a tactic would not make Democrats immune from attacks on the bill in the fall campaign.
Citing an assertion from Rules Committee ranking member David Dreier (Calif.) that "a vote for the rule is a vote for the Senate bill," the group wrote: "We believe it is accurate to state in public communications that the effect of a vote for any rule illustrated in [Dreier's memo] is a vote for the Senate bill and all of its provisions." Put simply: Republicans believe that House Democrats using the "deem and pass" maneuver in no way prohibits GOP candidates and party committees from attacking them for "voting" for the Senate legislation.
So, Republican lawyers, citing a Republican member of congress, say Republicans can say in public communications (that's a reference to television advertising; each party frequently tries to get television stations to pull the other's ads over disputed claims) what the Republican member of congress says. How very nice and circular. And predictable. Oh, and ... meaningless. It probably won't surprise you to learn that the legal counsels for the RNC, NRSC and NRCC don't get to decide this question. That's up to television stations and their attorneys.
Unfortunately, Cillizza didn't include any indication of whether lawyers not in the employ of the GOP agree with the assessment. Or even any response from Democratic lawyers.
The letter along with House Republican leaders' vow to force a vote on the use of "deem and pass" is a reminder that GOPers believe the health care bill -- no matter the outcome of the vote later this week (or weekend) -- is something close to a silver bullet for them in the coming midterm elections.
Actually, it's a reminder that GOPers seem to want people to believe that they believe the health care bill is something close to a silver bullet for them. And, at least in this case, they got their wish.
How would Republicans behave if they believed health care was "something close to a silver bullet" for them? Pretty much they way they are behaving right now. (Or, perhaps, by laying low to encourage Democrats to walk in to their trap.)
But: How would Republicans behave if they believed health care could become a silver bullet for them, but would be much more likely to do so if there was a widespread belief that it would? Pretty much the way they are behaving right now. By thinking he can read the GOP's minds -- and concluding that their public statements are a sincere representation of their inner thoughts -- Cillizza plays right into their hands.
(Note that I'm not saying Republicans don't sincerely believe health care is their "silver bullet." I'm saying we don't know what they "believe," and that Cillizza's assumption that he does makes that outcome more likely. It's an assumption, by the way, that requires assuming that Republicans are offering Democrats sincere campaign advice, which seems more than a little unlikely.)
Washington Post reporter Chris Cillizza calls tomorrow's Massachusetts Senate election for Republican Scott Brown:
Cambridge, MA: I still think Coakley wins this race by 8+ points and the story is marginalized post-election. The voter ID for Dems is just too large and this national attention has woken up MA residents. ...
Chris Cillizza: Great minds!
I am not sure I agree on Coakley -- solely because the race has been so unpredictable to this point -- but I think that no matter what happens on Tuesday you have a clear winner and a clear loser already.
Winner: Scott Brown. His candidacy has shocked the political world so even if he comes up short he will be touted for any and all open office in the state. One potential option: Coakley's attorney general post.
No word yet on how a Brown loss would be good news for Rudy Giuliani.
If you were a reporter, and you were typing up RNC chairman Michael Steele's call for Senate Majority Leader Harry Reid's resignation over a racially-insensitive remark, would you maybe find room to mention that just a few days ago, Steele used the phrase "honest injun"?
If so, that's another difference between you and the good folks at The Politico.
Politico quotes Steele blasting Reid for having an "old mindset" and "using language ... That harkens back to the 1950s." That might have been a good place to insert a line about Steele's use of "honest injun," don't you think?
Incredibly, Politico's write-up of Steele's call for Reid's resignation includes this passage:
"When Democrats get caught saying racist things, an apology is enough," Steele said on "Meet the Press."
"There has to be a consequence here if the standard is the one that was set in 2002 by Trent Lott."
Even while quoting Michael Steele claiming a pro-Democrat double-standard when it comes to racially-insensitive language, Politico doesn't mention Steele's own insensitive comment, which is less than a week old.
UPDATE: Rather than challenging Steele's assertion of a double-standard by pointing out his own comments, Politico echoes it on their front page:
UPDATE 2: Washington Post reporter Chris Cillizza does the same thing:
Steele calls on Reid to resign
Republican National Committee Chairman Michael Steele said that Senate Majority Leader Harry Reid (D-Nev.) should resign from office after acknowledging that he had described President Obama as "light skinned" and possessing no "Negro dialect" in a conversation with reporters.
"There is this standard where Democrats feel that they can say these things and they can apologize when it comes from the mouths of their own," said Steele in an interview with "Fox News Sunday. "But if it comes from anyone else, it is racism."
Like Politico, Cillizza doesn't bother to mention Steele's own controversial comment, made less than a week ago.
UPDATE 3: During Steele's appearance on Fox News Sunday, host Chris Wallace asked him about the "honest injun" comment. That's right -- Politico and Cillizza offered less scrutiny of RNC chairman Michael Steele than did Fox News.
Washington Post reporter Chris Cillizza thinks the media did an "ok job" at a "damn near impossible" task: explaining health care reform:
Wilmington, NC: You mentioned the public "souring" on health reform. I suspect that measure is simply a reflection of the tone of the coverage, rather than an informed opinion. Every conversation I have heard on health reform has been notably misinformed or, at best, uninformed. Seriously, the state of public understanding of the issue and its proposed legislation is a cosmic joke. Do you believe our news media has performed well in the aggregate in informing us on this matter? Do you know of any polling data that might contradict my sense of the utter cluelessness of pretty much everyone out here about this policy?
Chris Cillizza: I think the media has done an ok job is trying to explain what is an incredibly complex and wide-ranging bill to the public.
The simple fact is that explaining an overhaul of the health care system in our country in 30 column inches of a 20 minute television broadcast is damn near impossible.
I think the media has done a terrible job at a relatively simple task. See, Cillizza is right that explaining everything about health care reform is damn near impossible. On the other hand, explaining the basic facts of "an overhaul of the health care system in 30 column inches or a 20 minute television broadcast" is incredibly easy. The media just chose not to do it.
For example, one of the central disputes over the public option was whether or not it would increase the deficit. Opponents said it would, and were frequently quoted as such in the media. But the Congressional Budget Office said that, in fact, it would reduce the deficit. But those news reports indicating that critics claimed it would add to the deficit typically failed to make the point that, according to CBO, this was not true. Had the media wanted to "explain" the basics, it would have been incredibly easy to make sure that every news report that mentioned the public option indicated that it would reduce the deficit.
And the same applies to other basic facts about the reform package. 300 million Americans were never going to understand every aspect of health care reform. But 300 million Americans don't need to understand every aspect of health care reform. Had the media committed themselves to explaining -- over and over again -- the basic facts that everyone does need to know, they would have done a much better job.
Instead, the news media basically punted on actually explaining things and focused on politics and process and minutia, while passing along politicians' claims and talking points without indicating whether or not they were true.
As for the "ok job" part: I'll renew my recent challenge to the Washington Post:
The Post has a polling budget. If they're so convinced that they've covered health care "pretty well" -- well enough that they can devote extensive resources to figuring out who golfers sleep with -- let's see them prove it. I dare the Post to conduct a scientific poll of its readers, asking them a basic question about health care reform: According to the Congressional Budget Office, would health care reform that includes a government-run public insurance option increase the deficit or reduce it?
If the Post has done a good job of covering health care reform, a large majority of its readers should be able to answer that question correctly. It would cost just a few thousand dollars -- a drop in the bucket for a newspaper like the Post -- in exchange for which the Post would be able to brag about how great its reporting is, and how well informed its readers are. And the paper would get to throw the results in the face of the critics Farhi dismisses as "presumptuous and self-serving" people who "lecture" the Post about " 'serious' news" simply "to telegraph that they themselves are verrrrry serious people and that we should follow their sterling example." Won't that be satisfying!
What's the downside? There is none, unless, of course, the Post thinks that the results would embarrass the paper and undermine its claims to have done a good job of reporting on health care.
Everybody knows about the non-apology apology -- when a public figure says, for example, "I'm sorry if anyone was offended" rather than "I shouldn't have made that racist comment, and I apologize for doing so."
It turns out the non-apology apology has a sibling: the non-explanation explanation.
This week's issue of Newsweek features a cover photo of Sarah Palin wearing short running shorts -- a photo that was originally taken for a recent issue of Runner's World, and which has no obvious connection to Newsweek's coverage of Palin. Earlier today, Media Matters' Julie Millican has explained the problems with that cover:
Making matters worse is the equally offensive headline Newsweek editors chose to run alongside the photo -- "How Do You Solve a Problem like Sarah?" -- presumably a reference to the Sound of Music song, "Maria," in which nuns fret about "how" to "solve a problem like Maria," a "girl" who "climbs trees" and whose "dress has a tear."
Now, this photograph may have been completely appropriate for the cover of the magazine for which the picture was apparently intended, Runners World. But Newsweek is supposed to be a serious newsmagazine, and the magazine is certainly not reporting on Palin's exercise habits.
As Julie noted, Newsweek's lousy judgement extended beyond the cover: The magazine also ran a gratuitous photo focusing on Palin's legs, and another photo of a "disgusting Sarah Palin-as-a-slutty-schoolgirl doll."
So what does Newsweek have to say for themselves? The magazine's editor responded to a question from Politico's Michael Calderone, but he couldn't even muster an "I'm sorry if anyone was offended" non-apology apology:
Editor Jon Meacham responds in an email to POLITICO: "We chose the most interesting image available to us to illustrate the theme of the cover, which is what we always try to do. We apply the same test to photographs of any public figure, male or female: does the image convey what we are saying? That is a gender-neutral standard."
That's a textbook example of the non-explanation explanation. Read it again, and tell me: What does it mean? Meacham wants you to think he's explaining the cover choice, but he really isn't.
How, exactly, does putting Sarah Palin on the cover in short shorts "illustrate the theme of the cover"? (Let's assume Meacham meant the theme of the cover article; saying you choose a cover photo to illustrate the theme of the cover is more than a bit circular.) Meacham doesn't say. What is that theme? Meacham doesn't say.
How does the leg-centric image of Palin's legs "convey what we are saying"? Meacham doesn't explain. What is Newsweek "saying" with the article and the photo? Meacham doesn't explain.
It's a refusal to explain, dressed up as an explanation.
Another recent example: When Washington Post reporters Chris Cillizza and Dana Milbank produced an infantile and unfunny video calling Hillary Clinton a "bitch" and describing a wife suing for divorce from a cheating spouse as a "bitter woman from hell," they tried to explain the controversy away by saying the video was "satire."
But they didn't say what it was they were supposed to be satirizing. That's probably because what they were doing quite plainly was not satire; it was simply a couple of jerks sitting around making mean-spirited and sexist comments. There is a difference.
It's satire ... The photo illustrates the theme of the cover ... These things are designed to look like explanations; to win credit for addressing the issue and to cut off further questions and to justify bad behavior. But they aren't actually explanations at all. They are a refusal to deal with criticism in a forthright way, and should be recognized (and mocked) as such. Just as we all recognize the non-apology apology for what it is.
From the September 20 edition of CNN's Reliable Sources:
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Chris Cillizza: I think that McCain still holds serious power within the party despite the fact that he lost the 2008 presidential fight.
He is the best known Republican -- with the possible exception of his 2008 ticketmate -- in the country and when he speaks on an issue I think there is an audience for what he has to say.
As I wrote this morning, McCain has largely been shut out of the health care debate but I do think that how he positions himself has some influence over how some of his colleagues -- particularly the Senate moderates -- look at the bill when Congress comes back next month.
Um ... What?
Let's take these explanations in order. "McCain still holds serious power within the party"? Really? When did he ever hold "serious power" within the Republican Party? Even when they nominated him for President, he couldn't choose his own Vice-Presidential nominee.
There's an audience for what McCain has to say? Well, that's true: Washington, DC-based reporters. That has always been his audience.
McCain's health care positioning may have some influence over how "the Senate moderates" behave? Really? Given that the so-called "moderates" are already digging in their heels in opposition to a public plan, it doesn't seem like they're waiting around for McCain to weigh in.
Or perhaps Cillizza thinks McCain is going to come out in favor of a public plan, and bring some so-called "moderates" with him? That would be quite the surprise, given that McCain has been staunchly party-line in his Senate votes this year -- even voting with his Republican colleagues more reliably than Mitch McConnell. Yes, the same Mitch McConnell who is the Senate Minority Leader. And more reliably than Jon Kyl, the GOP whip. When you're a more reliable footsoldier for your party than the person who holds the job of keeping the party in line, you aren't much of a moderate or a maverick.
I'm sure Cillizza really believes all these reasons. But that doesn't mean they make the least bit of sense.
From the August 11 edition of MSNBC's Hardball with Chris Matthews:
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CJR's Megan Garber continues her excellent coverage of the "Mouthpiece Theater" debacle with an explanation of why the "it was just an experiment" defense falls flat. Garber:
Should Milbank and Cillizza-whose "experimental" journalism involved the duo dubbing themselves "two of the biggest maws in Washington" and treating politics as if it were alternately a sport/a game/a spectacle/an object of mockery-really be applauded for the reductive insult-to-all-involved that was "Mouthpiece Theater"? More to the point, was the series really embracing the kind of experimentation we want to see defining news's future?
No. And: no. Experimentation may well be what will guide us out of the desert journalism is currently wandering; still, Hey, we were just experimenting! cannot be a blanket defense for the blanket abandonment of journalistic ideals. Which, in the end, is what "Mouthpiece Theater" was. In journalism, as in everything else, there are principles that must transcend platform-messages, as it were, that must transcend medium. Among them are: intellectual honesty, a commitment to information, and a fundamental seriousness of purpose. And that's so even when it comes to satire.
There's much more; check it out.
As Garber notes, Washington Post Ombudsman Andrew Alexander, after criticizing the execution of Mouthpiece Theater, wrote "Milbank and Cillizza should be applauded for embracing the spirit of experimentation underlying [the series]."
Alexander was, at times, refreshingly blunt in his assessment of the videos. "Critics justly panned it as sophomoric," for example. And "There was so much wrong with 'Mouthpiece Theater' and the way The Post handled the controversy that it's hard to know where to begin."
But his assessment also left a lot to be desired. He continued the Post's description of the videos as satire that went too far. I don't buy it. What were Chris Cillizza and Dana Milbank "satirizing" when they called Hillary Clinton a bitch and described a wife suing for divorce from a cheating spouse as a "bitter woman from hell"?
Alexander -- like Milbank, Cillizza, and the Washington Post spokesperson who first commented on the controversy -- seems to think "satire" means simply "jokes." That isn't what "satire" means. This is:
1. the use of irony, sarcasm, ridicule, or the like, in exposing, denouncing, or deriding vice, folly, etc.
2. a literary composition, in verse or prose, in which human folly and vice are held up to scorn, derision, or ridicule.
So, again: What human folly or vice were Cillizza and Milbank holding up to scorn, derision or ridicule? None. They skipped the "human folly or vice" part and went straight to scorn, derision and ridicule.
What Milbank and Cillizza did wasn't satire that went too far. It was mean-spirited insults. There is a difference. Saying that they simply went too far in their satire lets them off the hook. It isn't a legitimate defense; it's spin.
Speaking of letting them off the hook: Alexander suggests Cillizza's only flaw in this debacle was hanging out with the wrong crowd:
The basic concept was flawed. Milbank might have pulled it off as a solo act. His Washington Sketch column can be biting and funny, and his occasional accompanying videos are creative and entertaining. It's his job to voice opinions. But Cillizza is different. He writes straight news on The Fix, his popular Post politics blog, and his stories appear on the news pages. Teaming with Milbank created a branding problem for him and The Post. It left readers confused about his true role -- reporter, commentator or comic? -- and about The Post's standards. Cillizza acknowledged this "somewhat discordant marriage" on The Fix after "Mouthpiece Theater" was killed.
Alexander did not mention that Cillizza, not Milbank, was the one who attacked Chip Pickering's wife as a "bitter woman from hell." In fact, Alexander didn't mention that comment at all. Alexander is not alone in that -- I don't believe either Cillizza or the Post has ever acknowledged it. All parties seem content to let people believe Milbank's "bitch" comment was the only misogyny contained in the video. That is, perhaps, understandable coming from Cillizza and the Post -- they are, after all, concerned about the damage done to the branding of "The Fix." But readers might have expected better from the Post's Ombudsman.
The Washington Post has pulled the plug on Mouthpiece Theater in the wake of criticism of reporters Chris Cillizza and Dana Milbank for their sexist comments about Hillary Clinton and other women. And, for the first time, the reporters have actually apologized.
Howard Kurtz reports:
"I regret that we put up that image," Milbank said Wednesday, "and while I highly doubt the secretary of state has seen 'Mouthpiece Theater,' I would be honored to have the opportunity to apologize to her over a beer."
Cillizza apologized in a post on his blog, The Fix:
I would like to personally apologize for the content in last Friday's video as it was inconsistent not only with the Post brand but, more important and personal to me, the Fix brand which I have worked so hard to cultivate.
UPDATE: More from Kurtz:
Although the scripts for "Mouthpiece Theater" were approved by editors, Milbank and Cillizza often ad-libbed parts of it, as was the case with the inclusion of Clinton's photo. "We did not have an effective system for vetting videos and other multimedia content," Brauchli said, insisting that will change. He said the paper will keep experimenting with new media but that "we need to hold ourselves to our standards to deliver that."
Left unanswered: Did an editor approve Cillizza's reference to Chip Pickering's wife as a "bitter woman from hell"?
And it must be said that Milbank's comments are a little less apologetic than they might be:
"I regret that we put up that image," Milbank said Wednesday, "and while I highly doubt the secretary of state has seen 'Mouthpiece Theater,' I would be honored to have the opportunity to apologize to her over a beer."
As for the dozen videos they have made in what was designed as a summer tryout, "it's clear there was an audience for it out there, but not large enough to justify all the grief," Milbank said. "My strength is in observational, in-the-field stuff, and that's what I should do. I'm sorry about the reaction it's caused but I think it's important to experiment. The real risk to newspapers is not that they take too many risks, but that they don't take enough risks."
UPDATE 2: More Milbank: "It's a brutal world out there in the blogosphere," Milbank said. "I'm often surprised by the ferocity out there, but I probably shouldn't be."
Wait, let me get this straight: Dana Milbank called Hillary Clinton a "bitch," and it's the blogosphere that's brutal?
UPDATE 3: Here's the original video, in case you've missed it before:
And a response:
And the Women, Action & The Media letter.
Members of Women, Action & The Media want an explanation from the Washington Post:
As members of Women, Action & the Media, we write to protest the Washington Post's production and presentation of the July 31 "Mouthpiece Theater" episode titled, "Menage a Stella Artois," and the Post's cowardly manner of addressing the controversy generated by the video's patently sexist - and otherwise tasteless - content.
We believe the Post owes an explanation to its online viewers as to how such a video came to be produced and presented on the Post's Web site.
And they draw attention to an aspect of the video that has gone largely overlooked: Chris Cillizza's reference to Chip Pickering's wife as "Bitter Woman From Hell" because she says her husband cheated on her.
More from the Women, Action & The Media letter:
The utter contempt for women displayed in this video speaks to the struggle that women face in every workplace, that women journalists face in every newsroom, and that all too often weaves its way into news coverage of women and of issues pertaining to women. The Post's cowardice in addressing the problem — simply removing the video with no explanation, no apology to viewers, and no promise of disciplinary action to be taken against those who made and posted it — speaks just as loudly.
As I noted yesterday, the Post hasn't actually apologized for the video. Nor have Cillizza or Milbank -- indeed, they posted a follow-up yesterday that suggests they have been censored, and continues to treat the matter as a (remarkably unfunny) joke. A Post spokesperson says the original video was "satire," raising the rather obvious question of what Dana Milbank was satirizing by calling Hillary Clinton a "bitch."
(Via Politico's Michael Calderone)
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Last week, Washington Post reporters Dana Milbank and Chris Cillizza filmed a "Mouthpiece Theater" video in which Milbank called Hillary Clinton a "mad bitch" and Cillizza called Rep. Chip Pickering's wife a "bitter woman from hell" (Her crime? She says her husband cheated on her. So, clearly, she is from hell.)
The Post pulled the video after hours of outrage, and Cillizza Tweeted about the controversy: "Folks, know a lot of you were upset about Mouthpiece,. We've apologized and the video has been pulled. Thanks for the feedback."
In fact, they hadn't apologized. A Post spokesperson said the video was "satire" that "went too far." But that isn't an apology -- not to Hillary Clinton, not to Chip Pickering's wife, and not to Washington Post readers. It's a "OK, we give, please stop hitting us."
And it hides behind the absurd notion that Milbank and Cillizza were simply engaging in satire that went a bit too far. Oh yeah? What were they satirizing when they called Clinton a "bitch" and Pickering a "bitter woman from hell"? That wasn't satire, that was simply two smug men calling women bitches and bitter women.
Yesterday, the Post's Howard Kurtz wrote in an online discussion "Chris apologized on his Twitter feed." No. Cillizza did not apologize in his Twitter feed. Saying "We've apologized" is not apologizing.
And today, Cillizza and Milbank made clear that they are not at all sorry. They posted a new "Mouthpiece Theater" in which they suggest they were "censored," pretend that Milbank's comment about Clinton was the only problem -- ignoring Cillizza's cruel attack on Chip Pickering's wife -- and generally treat the whole thing as a big joke.
Except, as usual, there's nothing funny about "Mouthpiece Theater."
This, by the way, is satire:
(Hat-tip to Americablog for the video, by Andy Cobb.)
UPDATE: CJR's Megan Garber on the new "Mouthpiece Theater":
[T]here's really very little to say about the video, because, as usual, there's really very little substance within it. Except that it's remarkable how, like one of those movie aliens that feeds off the life force of humans, the series's inflated sense of its own jocularity seems only to have expanded since Friday's debacle. As if "Mouthpiece Theater" feasts on widespread indignation itself.